The PowerPano feature grabs instant ultra-wide 6MP panoramas, which look great, and traditional 4:3 photographs are shot at 5MP - poor indoors and at night, decent in well-lit environments. While less rugged than a traditional GoPro, the Max is still able to handle action with waterproofing, sensational stabilization and a GPS on-board.
#INSTA 360 ONE X VS GOPRO MAX FULL#
This is great for vlogging, helping footage captured look incredibly gimble-esque.Īdvanced users will also benefit from ProTune, giving you control over the video’s bitrate, shutter speed, white balance, and more, so despite not having a cinematic look out of the camera, capture is nicely customizable.ĭespite its resolution, single-lens footage looks strong, with respectable clarity for Full HD content. We literally threw the camera in the air, spinning it in the process and the picture didn’t even tilt. When fired up, content is always facing the right way. On the plus, it does offer a lot of versatility, shooting across four digital focal lengths: 13mm, 16mm, 19mm and 27mm.
#INSTA 360 ONE X VS GOPRO MAX 1080P#
When using it as a traditional action camera, the GoPro Max can’t quite stack up to a standalone Hero8 Black, with its resolution capping out at 1080p 16:9, or 1440p 4:3. (Image credit: Basil Kronfli/Digital Camera World) While the GoPro Max won’t be able to handle pitch-black scenes, you can see how it handles walking through city streets with plenty of light pollution below - perfectly usable footage for social sharing, though not something we’d drop into a feature-film at least not straight out of the camera. When the lights drop, that’s when judder creeps in with every footstep - so you’ll definitely want to tread lightly when capturing night-time content. The footage from the forest was the worst fringing we experienced in around a month with the camera though, with most cityscapes and country scenes handled beautifully.
In turn, while you can be relaxed with your framing, you’ll want to be mindful of that fact.Īdditionally, when faced with intricate backlit detail around the edges of each camera’s field of view, chromatic aberration can creep in, with purple fringing being very noticeable in the branches in the footage above. When light is abundant, it looks like the camera is floating on a gimbal or drone.Īs with all 360-degree cameras, detail is stronger in the centre of each lens, and weakest towards the stitch-line.
The great thing about 360-degree capture is that stabilization looks sensationally steady, and the GoPro Max’s footage is a testament to that fact.
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